夜莺读书笔记精选范文五篇
篇一:《安徒生童话-夜莺》读后感
夜莺是皇帝望不到边的大花园里的小小歌者,它的歌声饱含深情,让人禁不住落泪,但它只有在绿色的大森林里才唱得最好,它的歌唱给所有人——穷苦的渔夫、帮厨的小女孩、甚至是皇帝,举国上下都知道并深深地喜爱这位小小的歌者。
前去邀请夜莺的大臣第一眼看到它时称它很“普通”、很“平凡”,受到皇帝的召见便欣然前往,一点也不骄傲,它认为得到的最好的礼物是人的热泪,这足以使它心花怒放!
夜莺成了皇宫中的歌者,每天准许被仆人牵着丝线散步。国中人谈论起它来相互叹气,夜莺再也不能为穷苦人动情的歌唱了。
故事出现了转折,日本国送来了一只金贵的机械鸟,这只“鸟”唱着标准的华尔兹曲调,属于一个著名的音乐学派,周身装饰华丽,很快夺得了全国人们的欢心。于是夜莺被放逐出去,皇宫中人们咒骂它忘恩负义,但当皇帝病危的时候,夜莺飞来了,用歌声驱走皇帝身边邪恶的面孔,把死神从他心中去掉。
夜莺是最忠诚的朋友,用饱含深情的歌声唤起人心中的美好、驱走黑暗,它的帮助不计报酬,它认为最好的礼物是引起人情感的共鸣!
最真挚的朋友总是在最需要时给予你帮助,而不是那些总围在身边刻意迎合、恭维你的人。真挚的友人拥有一颗好的心,而一颗好的心是不会骄傲的!
当皇帝恳请夜莺留下,还要把那只机械鸟撕碎时,夜莺拒绝了,它的歌只有在绿色的森林里才唱得最好,它饱含深情的歌声属于每个人!
题外话:我很喜欢《安徒生童话》,故事中的《夜莺》给我留下很深的印象,觉得夜莺是真挚的朋友,安徒生的童话让我感受到他那颗温暖、谦卑的心,安徒生将自己比作丑小鸭,当丑小鸭变成美丽的白天鹅时,他写道“一颗好的心是不会骄傲的”。我喜欢写作,也爱学习,读学前教育的我,从小也有一个变成白天鹅的梦想,大三了,这几年我一直在努力学习,课余时间发展自己的兴趣爱好,很充实、很快乐。年轻,逐梦!
篇二:夜莺与玫瑰读书笔记
当我初次拜读王尔德的童话故事是,乍一看,不得不被他优美的文字吸引了,其中他最钟爱的写作手法就是用形象生动的比喻,为读者构成一幅丰满的画面,发黑得像风信子花,他的嘴唇就像他想要的玫瑰那样红;但是感情的折磨使他脸色苍白如象牙,忧伤的印迹也爬上了他的眉梢。”“我的玫瑰是白色的,”它回答说,“白得就像大海的浪花沫,白得超过山顶上的积雪。“我的玫瑰是红色的,”它回答说,“红得就像鸽子的脚,红得超过在海洋洞穴中飘动的珊瑚大扇。但是冬天已经冻僵了我的血管,霜雪已经摧残了我的花蕾,风暴已经吹折了我的枝叶,今年我不会再有玫瑰花了。”“我的`玫瑰是黄色的,”它回答说,“黄得就像坐在琥珀宝座上的美人鱼的头发,黄得超过拿著镰刀的割草人来之前在草地上盛开的水仙花。”语言清新、自然,但是,不知为何,总是会不自觉地引起我们或多或少的对人生,对世界的思考以及由思考带来的淡淡的忧伤以及层层对比下的讽刺和无奈。
当夜莺看到一位看似痴情的年轻男子在为爱情而忧伤时,夜莺感叹道:“我所为之歌唱的正是他遭受的痛苦,我所为之 快乐的东西,对他却是痛苦。爱情真是一件奇妙无比的事情,它比绿宝石更珍贵,比猫眼石 更稀奇。用珍珠和石榴都换不来,是市场上买不到的,是从商人那儿购不来的,更无法用黄金来称出它的重量。”可是同样对于爱情,“他为什么哭呢?”一条绿色的小蜥蜴高高地翘起尾巴从他身旁跑过时,这样问道。“是啊,倒底为什么?”一只蝴蝶说,她正追著一缕阳光在跳舞。“是啊,倒底为什么?”一朵雏菊用低缓的声音对自已的邻居轻声说道。“他为一朵红玫瑰而哭泣。”夜莺告诉大家。“为了一朵红玫瑰?”他们叫了起来。“真是好笑!”小蜥蜴说,他是个爱嘲讽别人的人,忍不住笑了起来。当夜莺知道要用自己的献血染红玫瑰时,夜莺的话语更是让我们动容,感觉自身的渺小,:““拿死亡来换一朵玫瑰,这代价实在很高,”夜莺大声叫道,“生命对每一个人都是非常宝贵的。
坐在绿树上看太阳驾驶著她的金马车,看月亮开著她的珍珠马车,是一件愉快的事情。山楂散发出香味,躲藏在山谷中的风铃草以及盛开在山头的石南花也是香的。然而爱情胜过生命,再说鸟的心怎么比得过人的心呢?”对于这般痴恋爱情的玫瑰,我们猜想,也许结局是虽然夜莺牺牲了自己,但是却收到那对年轻男女的感激,也成就了一段美好的姻缘,这是很多童话书对结局的普遍设定。因为在童话的世界,付出总会有回报,爱情胜过世俗间任何的事物。可是,当夜莺准备用鲜血祭奠玫瑰之前,她在枝头和那位年轻的男子道别,可是,男子却认为“她的样子真好看,”他对自己说,说著就穿过小树林走开了一一“这是不能否认的;但是她有情感吗?我想她恐怕没有。事实上,她像大多数艺术家-样,只讲究形式,没有任何诚意。她不会为别人做出牺牲的。她只想著音乐,人人都知道艺术是自私的。不过我不得不承认她的歌声申也有些美丽的调子。只可惜它们没有一点意义,也没有任何实际的好处。”最后,年轻女子的一句:““我担心它与我的衣服不相配,”她回答说,“再说,宫廷大臣的侄儿已经送给我一些珍贵的珠宝,人人都知道珠宝比花更加值钱。”更是把读者一棒子打回了现实,而之后年轻男子的举动更是深感无奈。“学生愤怒地说。一下把玫瑰扔到了大街上,玫瑰落入阴沟里,一辆马车从它身上碾了过去。“爱情是多么愚昧啊!”学生一边走一边说,“它不及逻辑一半管用,因为它什么都证 明不了,而它总是告诉人们一些不会发生的事,并且还让人相信一些不真实的事。说实话,它一点也不实用,在那个年代,一切都要讲实际。我要回到哲学中去,去学形而上学的东西。”于是他便回到自己的屋子里,拿出满是尘土的大书,读了起来。
也许,很多读者看完会用“这真是一个悲剧”“夜莺太不值了”,我觉得这样的评价有失偏颇。因为我们终究不是夜莺,我们明明记得,当夜莺扑向玫瑰的刹那,她是幸福的、满足的,她是怀抱着对爱情的美好愿望去的。况且爱情这复杂的情感,用值或不值来衡量未免太显单薄。但是对于一点我们是可以引起共鸣的。“如果爱情是一颗心脏,那么通往她的血管不应该只有一个方向。”
篇三:《夜莺的歌声》读书笔记
《夜莺的歌声》讲述的是前苏联保家卫国战争时期,一个叫夜莺的孩子是个勇敢、机智,巧妙地与德国兵周旋,用口哨传递信息。把敌人带进了游击队的埋伏圈,消灭敌人。
文中夜莺与敌人的对话:“怎么会就剩我一个,这里有麻雀、乌鸦、猫头鹰多着呢。”??:“刚刚一开火,村子就着火了,大家都喊,野兽来了,野兽来了,大家快跑。”这些话都是夜莺使在不易察觉中戏弄,同是也提现了夜莺的机智和对敌人的憎恨。
文中,第二天,在被烧毁的村子的围墙旁边;在那小路分岔的地方,有孩子又穿着那件绿上衣??使我联想到“小夜莺”又投入了新的战斗,又在坚守岗位,察看敌情。我便对这位小英雄佩服的五体投地。佩服他天真活泼、顽皮、机智勇敢,有一颗爱国心,从他的身上使我想到白洋淀的抗日小英雄嘎子,小英雄放牛娃王二小等。这一切,时时刻刻都在鼓励我们要有一颗爱国之心。
篇四:《夜莺与蔷薇》读后感
读了这篇童话,我很感伤,多么可怜的夜莺啊。
故事内容是这样的:一个年轻的穷学生想找一朵红蔷薇送给一个姑娘,这样他就可以在舞会上和这姑娘跳舞了。可是冬天的花园里哪有红蔷薇。他伤心哭泣被停在树上休息的夜莺看到了,夜莺决定献出自己的生命去帮助他达成心愿。于是月光下一整夜夜莺一边歌唱一边将胸口顶住蔷薇刺,让自己的血流到树的身上,结出红蔷薇。穷学生拿着蔷薇去找那个姑娘,却被她嘲弄了一番。他蔷薇花随手扔了,爱情也成了少年口中无聊的东西。
看完这个故事我脑子里充满了夜莺惨烈牺牲的镜头,“夜莺拿她的胸脯抵住蔷薇刺。她把胸脯抵住刺整整唱了一夜,她整整唱了一夜,蔷薇刺也就刺进她的胸膛,越刺越深,蔷薇刺刺到了她的心。一阵剧痛散布到她全身。她痛得越厉害,越厉害”。可怜的小鸟,为了一个花痴学生的几点眼泪就要做这样的牺牲,承受着残忍的、毫无人道的苦难。这血淋淋的场面怎么能让儿童感受到生命的伟大呢,即便这生命只是一只小小的夜莺。又怎么能让人感觉的爱情的美好呢?故事也说了不是真是有了蔷薇就有了和姑娘跳舞的机会,就有了天长地久的爱情。偏偏牺牲的就是这么一只把别人的爱情或者快乐看的比自己的生命还珍贵的傻鸟。
在傻鸟的心里爱情胜过生命,而且一只鸟的心不能跟一个人的心相比,于是它就去做了这神圣崇高的牺牲,这牺牲是多么的悲壮,这结局又多么的荒唐,这就是一个盲目的理想主义者的悲哀。佛说:扫地不伤蝼蚁命,爱惜飞蛾纱罩灯。生命来之不易,应该相互惜怜。鸟就是该吃饭、唱歌、睡觉在橡树枝头嬉戏玩闹的,怎么去给得去为人类的愁苦慷慨赴义,是谁告诉小鸟爱情胜过生命,人心胜过鸟心的,那个人才是可怕的恶魔。万物生来都有自己的本性,怎么就妄自菲薄,怎么就为了什么爱情主义理想主义而白白送命呢?什么主义要是好主意不应该使我们活的更快活和长久吗?
这是一则童话,可我是读不出一点的美好来,我想作者是想告诉小孩子们不要做傻鸟,爱情也不一定是美好的,而人常常是个天使和魔鬼的结合体。
篇五:《夜莺》读后感
Analyse Our Soul
I’ve read the book The Nightingale which is written by D.H.Lawrence who came from the Britain during the winter vacation. This book is the casual literary notes which contains a large quantity of truths. I found the truths in the book revealed the social reality that we live in it everyday. In fact, I think it is of value.
Though this book named The Nightingale, it isn’t just about the nightingale. In the chapter one and chapter two, the author wrote about the birds such as the nightingales. The words in these chapters formed a beautiful picture which just like the Chinese monochromes. But what I think the most brilliant are these sentences. The ear is so stupid, it will accept any amount of false money in words. But let one tiny gleam of the mortal hatred come into your eye, or across your face, and it is detected immediately. The eye is to shrewd and rapid. I think these sentences tell us the truth that we shall not completely believe which others said to us especially when they are praising us. We shall see what we are
really doing and what is our real value. I also found some sentence wonderful such as this: All the time, whilst the earth lay choked and killed and winter-mortified, the deep undersprings were quiet. They only wait for the ponderous encumbrance of the old order to give way, yield in the thaw, and there they are, a silver realm at once. Under the surge of ruin, unmitigated winter, lies the silver potentiality of all blossom. One day the black tide must spend itself and fade back. Then all-suddenly appears the crocus, hovering triumphant in the rear, and we know the order has changed, there is a new regime, sound of a new Vive! Vive! I like these sentences not only because it is very beautiful, but also it is meaningful. And I particularly love this one: One day the black tide must spend itself and fade back. So I put it as my QQ’ personalized signature. And I think the sentence below is brilliant, too. We may remain wintry and destructive for a little longer, if we wish it, but the winter is gone out of us, and willy-nilly our hearts sing a little at sunset. It is great, isn’t it? I think there is a sentence with reason: We may not choose the world. We have hardly any choice for ourselves. It is true that in our society, what we can choose are very few, what we need to do is to adapt ourselves to the society.
The author put down a series of comments on himself in the chapter named Myself Revealed. What I think the powerful one is this: I cannot, not for anything in the world, forfeit my passional consciousness and my old blood-affinity with my fellow-men and the animals and the land, for that other thin, spurious mental conceit which is all that is left of the mental consciousness once it has made itself exclusive. These sentences not only show the author’s spirit, but also satirized the middle class in author’s time.
In the last five chapters, Lawrence wrote his views of the novels. What I think the brilliant is his criticize on modern tragedy. He put down that Which is the weakness of modern tragedy, where transgression against the social code is made to bring destruction, as though the social code worked our irrevocable fate. Like Clym, the map appears to us more real than the land. Short sighted almost to blindness, we pore over the chart, map out journeys and confirm them: and we cannot see life itself giving us the lie the whole time. I think it is true, because we always find us deceived by life and being frustrated. But in the meantime, things what we can do are variety, we shall not be frustrated by the dark side of our life.
From The Nightingale, I have learned lots of things not only the beauty of English prose, but also lots of senses which can influence my whole life.
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